At first glance, they might be identical. Two orange lozenges leaning out of shards of blue. Two paintings purportedly by the same artist. But look a little closer, and you’ll start to notice differences. The one on the left seems clunkier, its gradations in colour less subtle. The palette seems reduced, the brushwork less varied and interesting. The one on the right is Painterly Architectonic (1917) by Liubov Popova, a cubist and suprematist painter who lived a brief and active life in early 20th-century Moscow. The one on the left is a fake.

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@gilgamesh shared their post

Thousands of years before the ancient Roman Empire, the north African civilization of ancient Egypt was leading the way in the fields of art, architecture, and engineering. Many of their preserved creations can still be seen today in museums across the globe. In addition to sculptures, jewelry, and headdresses, some everyday objects can be viewed as well. The Metropolitan Museum of Art holds a beautiful painter’s palette that dates back to 1390-1352 BCE.

Jan 16

The Weight of Thought, Thomas Lerooy

Tomáš Libertíny prefers to collaborate when recreating iconic busts and sculptures, although his chosen partners don’t join him in the studio. The Slovakia-born artist tasks tens of thousands of bees with forming the porous outer layers of classic artworks like the “Nefertiti Bust,” Michelangelo’s “Brutus,” and a large jug based on the “Nolan amphora” at The Met.

Encased in honeycomb, the resulting sculptures generate a dialogue between the newly produced organic material and art historical subject matter. Libertíny’s “Eternity,” for example, is based on a 3D model of the original portrait of Nefertiti and is “a testament to the strength and timelessness of the ‘mother nature’ as well as its ancient character as a powerful female reigning against the odds.” Similarly, the artist’s “Brutus” rests on a Coca Cola crate, a reference to Marcel Duchamp’s readymades, although his iteration diverges from the original as it questions “the fragility of fate and finding salvation” in modern times.

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Fashionable in the 16th and 17th century, the art of embroidering unique covers for books saw a comeback in late 19th-century England, from the middle-class drawing room to the Arts and Crafts movement. Jessica Roberson explores the bibliomania, patriotism, and issues around gender so central to the revival.

Dec 31, 2020

Freeze frame: the most absurd technique since the invention of the moving image.
Through an elaborate process of duplicating the same image over and over again, it creates the illusion of stillness.

Identical figures perform the hopeless task of preserving blocks of ice. The repetitive movements reanimate the animals captured inside.

@artist shared a post by @dmje

Printing at scale is so interesting. In fact, scale in printmaking is pretty fascinating as you’re limited in an upward direction with paper / material sizes and in a downward one with the eventual inability to actually carve at that small size. I find the crossover has potential too - ie making small prints and stitching them together to make a big one. There’s a technique which I’ll post about some other time where you sketch, then cut and rearrange pieces so as to make a repeating pattern. It’s kind of magic.

Anyway. Here’s a really big print project. The title of the post is also total genius :-)

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Dec 28, 2020

The earliest written record of the camera obscura theory can be found in the studies of Chinese philosopher and the founder of Mohism, Mozi (470 to 390 BCE). He recorded that the image in a camera obscura is flipped upside down because light travels in straight lines from its source. During the 4th century, Greek philosopher Aristotle noticed that sunlight passing through gaps between leaves projects an image of an eclipsed sun on the ground. The phenomenon was also noted by 6th-century Greek architect Anthemius of Tralles who used a type of camera obscura in his experiments. During the 9th century, Arab philosopher, mathematician, physician, and musician Al-Kindi also experimented with light and a pinhole.

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Dec 27, 2020

Gelett Burgess’ influential essay from May 1910 introduced French modern art to the United States.

Dec 24, 2020

The Plantin-Moretus Museum has an extraordinary collection of 14,000 woodblocks. 14,000 examples of true craftmanship, drawings masterly cut in wood. We are supplying this impressive collection of woodcuts in high resolution. Feel free to browse as long as you like, get inspired and use your creativity.
Be impressed!

Art Discussion

Forum for the Art community

Created on Aug 4, 2020
By @gurlic